Brilliant Disguise – From Goggles to Greatness

Akademie vir Dramakuns

Gerard Scholtz was a lecturer at the Akademie vir Dramakuns when he first noticed a young man, dressed in an army uniform, who would sometimes play piano in one of the school’s rehearsal rooms.

When Scholtz needed a singer to play the piano for guests at a function at the Paarl City Hall, he remembered the student in the army uniform. The next time that he saw the young man, Scholtz asked him if he would be willing to perform at the event in Paarl. The student was Ralph Rabie and this invitation would change Rabie’s life.

Met under Woorde

Scholtz later went on to produce a cabaret, Met Ander Woorde, and decided to offer Rabie the male lead in the show; Lieze Stassen was the female soloist. Because the play would be performed in a very intimate venue, Scholtz wanted the performers to really “connect” with the audience.

Link to Lieze’s website.

During rehearsals however, Rabie’s shyness was proving to be a real impediment. Scholtz noticed how Rabie would sing with his eyes closed and with his head to one side as if he was saying “don’t come close to me”. Scholtz started to become increasingly frustrated with Rabie’s inability to connect with the audience.

Eventually, after the last rehearsal and feedback session for the upcoming show, Scholtz took Rabie to the back of the rehearsal hall. He begged Rabie to “give something of himself to [us and] the audience”. But Rabie just stared at Scholtz and said that he couldn’t. Scholtz grabbed Rabie’s collar and told him that he was one of the most talented singers in the country and that he could become one of South Africa’s most famous singers. However, he would have to overcome his crippling inability to connect with the audience. Rabie again replied that he couldn’t do it.

Johannes Kerkorrel swimming goggles

Johannes Kerkorrel used swimming goggles to overcome his shyness. Photo credit Donald Ferguson.

Brecht Verfremdungseffekt

In desperation, Scholtz remembered techniques that had been used by actors practicing Brecht’s “verfremdungseffekt”. One of the methods used to achieve defamiliarization was that the actors sometimes wore masks. By inverting what Brecht actually wished to achieve with the verfremdungseffekt techniques, Scholtz suggested that Rabie should wear dark glasses to the next rehearsal, to try to increase his connection with the audience. The result was a amazing. By masking his eyes with sunglasses, the introverted Rabie was able to face his audience with confidence.

Scholtz felt that the glasses created the impression that Rabie was connecting with the audience, but actually Rabie was just hiding behind them. Rabie wore the sunglasses for the entire run of Met Ander Woorde.

newspaper clipping about the play met ander woorde ralph rabie

Rabie later swopped the sunglasses for swimming goggles when he performed with the Gereformeerde Blues Band during the Voëlvry tour.

Johannes Kerkorrel Gereformeerde Blues Band

Johannes Kerkorrel and the GBB performing. Photo Credit Donald Ferguson.

Scholtz maintained that Rabie never really overcame his shyness. Even after he had become famous, Scholtz noticed how Rabie would still sometimes turn his head to one side when performing-just as he had done so many years ago when he was still just a shy reporter embarking on a singing career.

Johannes Kerkorrel Willem Möller on stage during the Voëlvry tour

Credits

Post based on an interview with Gerard Scholtz done in 2014.
Black and white photos by Donald Ferguson.
Colour photo by Steven Hilton-Barber.
Newspaper snippet from Lieze Stassen’s website.

  1 comment for “Brilliant Disguise – From Goggles to Greatness

  1. Phillip Myburgh
    October 2, 2016 at 10:51 am

    I remember him (JK) putting those goggles on in the following context:
    The GBB came on stage in that big warehouse next to the Yard of Ale in Newton. It was about 1985 or 1986, I forget exactly. SA was burning. The venue was pitch dark, you could barely see your drink on the table in front of you.
    There was a pin-spot light on Rabie’s head (the goggles hung around his neck), who was playing some chords on the piano whilst leering out into the darkness saying things like: “Dis donker daar buite; dis duister …”. And then, as the chords he played started becoming a bit more tuneful and less ominous, he says: “Maar nou sit ek my roos-kleurige brulletjies aan” (which he did, putting the goggles on) “en die wêreld raak rooskleurig, en dis befok, en ek like dit!” And the coloured lights came on, and the band exploded into life, playing something from “Eet kreef”, perhaps “Sit dit af”.
    What a legend. What a crazy time. What a soundtrack for that time!

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